Nelly Ben Hayoun is featured in online at Furtherfield.
This interview reviews the FutureEverything Conference in Manchester on 31st March in which Nelly presented as part of the Intelligence section that addressed how to make sense of the vast amount of information at our fingertips from algorithms to artificial intelligence.
Other speakers and performers included journalists Charlie Winter and Izabella Kaminska, particle physicist and science communicator Ben Still, Gazelle Twin, Turner Prize winner Assemble, data and social media researcher at the Oxford Institute of the Internet Ruth Garcia-Gavilanes, Wellcome Trust Fellow Angela Csssidy, among many more.
The article states:
Engaging people is the challenge at the heart of Nelly Ben Hayoun’s work, as she explained after her talk at the Intelligence panel. The so-called ‘Willy Wonka of design’, Nelly is a one-woman nexus of collaboration who creates experiences to generate social action around science and technology, often space exploration. She assembled the International Space Orchestra, the world’s first orchestra composed of space scientists from NASA’s Ames Research Center and the SETI Institute (Search for Extraterrestrial Life). Featuring original music by Beck, Damon Albarn, The Prodigy, Penguin Cafe, Two time Grammy award winner Evan Price and Bobby Womack, she convinced scientists and astronauts to participate in an ambitious musical retelling of the Apollo 11 moon landing in 1969.
“There are audiences that are not keen to be transported or play any part, but it’s my role to then force them into it,” she explains. “Most of the public is becoming quite lethargic, so it’s really difficult to get them to move. My way of doing things is what I call total bombardment: getting to people through the fields of music, design, arts, theatre, tech, digital and architecture. Even though you might not want to be engaged with the issues or the questions I’m raising, you will find yourself confronted, in any case.”
Nelly studied at the Royal College of Art under Anthony Dunne and Fiona Raby, who inspired her problem-finding rather than problem-solving approach to design, particularly with regard to future challenges and the potential impact of evolving technology. Her most recent project, Disaster Playground, investigates the planet’s emergency procedures through attempts to stage a simulation of an asteroid strike. Soberingly, Nelly finds that only about 20 ageing scientists are charged with planning for disasters such as asteroid collisions and meteor showers.
“I’m applying critical thinking and critical design, but also looking at a range of artistic fields to see how we can merge all of these different disciplines to aim for social action,” Nelly says. “I apply Antonin Artaud’s theory of the Theatre of Cruelty to the way I engage members of the public with scientific research, looking for much more extreme and visceral ways to engage them, which you open up through collaboration. Whenever I work with scientific partners or sociologists or philosophers, I pick the ones who will fight with me. I believe that conflict generates innovation.”
To read the whole article, follow this link.